Classic English The God Who Dances
Part 5 · The Velvet Underground, 1966

The Exploding Plastic Inevitable

Warhol’s travelling show, and the 1870 novel behind “Venus in Furs.”

In 1966 Andy Warhol turned the Velvet Underground into one part of a travelling show: the band played while films were projected over them, lights flashed, and dancers performed on the stage. Warhol called it the Exploding Plastic Inevitable. It was a .

  1. December 1965Warhol first hears the Velvet Underground at the Café Bizarre in New York.
  2. 1 April 1966The Exploding Plastic Inevitable opens at the Dom, a Polish hall on St. Mark’s Place.
  3. May 1966The show plays The Trip, on Sunset Strip in Hollywood. A UCLA film student named Jim Morrison is said to be in the audience (Part 6).
  4. May 1967Warhol ends the show.
The Velvet Underground, “Venus in Furs,” from The Velvet Underground & Nico (1967).

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Source text

Venus in Furs: the opening dream

Leopold von Sacher-Masoch, Venus im Pelz (1870) · translated by Fernanda Savage (1921) · public domain

My company was charming.

Opposite me by the massive fireplace sat Venus; she was not a casual woman of the , who under this wages war against the enemy sex, like Mademoiselle Cleopatra, but the real, true goddess of love.

She sat in an armchair and had a crackling fire, whose reflection ran in red flames over her pale face with its white eyes, and from time to time over her feet when she sought to warm them.

Her head was wonderful in spite of the dead stony eyes; it was all I could see of her. She had wrapped her marble-like body in a huge fur, and rolled herself up trembling like a cat.

"I don't understand it," I exclaimed, "It isn't really cold any longer. For two weeks past we have had perfect spring weather. You must be nervous."

"Much obliged for your spring," she replied with a low stony voice, and immediately afterwards sneezed divinely, twice in succession. "I really can't stand it here much longer, and I am beginning to understand—"

"What, dear lady?"

"I am beginning to believe the unbelievable and to understand the un-understandable. All of a sudden I understand the Germanic virtue of woman, and German philosophy, and I am no longer surprised that you of the North do not know how to love, haven't even an idea of what love is."

"But, madame," I replied flaring up, "I surely haven't given you any reason."

"Oh, you—" The divinity sneezed for the third time, and shrugged her shoulders with grace. "That's why I have always been nice to you, and even come to see you now and then, although I catch a cold every time, in spite of all my furs. Do you remember the first time we met?"

"How could I forget it," I said. "You wore your abundant hair in brown curls, and you had brown eyes and a red mouth, but I recognized you immediately by the outline of your face and its marble-like pallor—you always wore a violet-blue velvet jacket edged with squirrel-skin."

"You were really in love with the costume, and awfully ."

"You have taught me what love is. Your serene form of worship let me forget two thousand years."

"And my faithfulness to you was without equal!"

"Well, as far as faithfulness goes—"

"Ungrateful!"

"I will not you with anything. You are a divine woman, but nevertheless a woman, and like every woman cruel in love."

"What you call cruel," the goddess of love replied eagerly, "is simply the element of passion and of natural love, which is woman's nature and makes her give herself where she loves, and makes her love everything, that pleases her."

"Can there be any greater cruelty for a lover than the unfaithfulness of the woman he loves?"

"Indeed!" she replied. "We are faithful as long as we love, but you demand faithfulness of a woman without love, and the giving of herself without enjoyment. Who is cruel there—woman or man? You of the North in general take love too soberly and seriously. You talk of duties where there should be only a question of pleasure."

"That is why our emotions are honorable and virtuous, and our relations permanent."

"And yet a restless, always unsatisfied craving for the nudity of paganism," she interrupted, "but that love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you . It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only and curse me, or slay yourselves in madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in and expects flowers to grow from his , while under my feet roses, violets, and spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not us. was not built for you, nor our villas, our baths, our temples. You do not require gods. We are chilled in your world."

The beautiful marble woman coughed, and drew the dark still closer about her shoulders.

The song uses the novel’s title and characters. Its lyrics are not reproduced here.

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