Classic English The God Who Dances

Nietzsche and the
dancers after him

In 1872 Friedrich Nietzsche argued that art is born from two gods: Apollo, the god of dreams, light and clear shapes, and Dionysus, the god of music, wine and the dancing crowd. For the rest of his life he wrote about dance as the highest form of freedom.

After 1945 his name was tied to the Nazis, who had used it. But dancers, composers and rock musicians had been reading him in other ways for fifty years. This lesson reads Nietzsche’s own words first, then follows them through modern dance, the music of noise and silence, Andy Warhol’s show with the Velvet Underground, and Jim Morrison of the Doors.

“I should only believe in a God that would know how to dance.”
Thus Spake Zarathustra, 1883

The lesson in six parts

  1. Apollo and DionysusThe Birth of Tragedy (1872), section 1: the dreaming god and the dancing god.
  2. The god who dancesZarathustra, “Reading and Writing” (1883), and Twilight of the Idols: dancing with the feet, with ideas, with words.
  3. Nietzsche’s dancersIsadora Duncan, Martha Graham and Mary Wigman, and the choice of 1936.
  4. Noise, silence, droneFrom the Futurists’ noise to John Cage’s silence and John Cale’s viola.
  5. The Exploding Plastic InevitableWarhol’s 1966 show with the Velvet Underground, and the 1870 novel Venus in Furs.
  6. The lost filmJim Morrison, his vanished UCLA film, and Nico. Final task: rebuild the film.